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MasterDex
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Don't shift the blame! I like the concept, and it helps that I've recently been reading a smattering of Scottish and Irish history. It also helps that I haven't ventured too in-depth wrt Ireland beyond their resistance versus the Scots. Press on, you.

 

As an aside: you're a PXOD writer? This is news to me!

 

I am! I'm the guy that looks like Jesus - http://pressxordie.com/meet-the-team/

 

The best thing about Irish history is that it's so easy to change as a fantasy writer. For example, The myth behind the irish name of Ireland - Éire - tells of three women (the wives of three Tuatha Dé Danann Kings) Eriu, Banba and Fodla, who each asked the Míl Espáine to name the island after them should they conquer it. Once they did - through the stipulations of the three kings, Amergin the bard named the island after Éiru. In my story, the name of the island is Banvar, after Banba.

 

Then there's the legends that some Irish settlers came from Scythia, were the decendants of the biblical Noah, came from Gaul or in the case of the Milesians, from Spain; having found it from the Tower of Hercules, the oldest lighthouse in the world (still standing strong) - all this is nigh on impossible to factually prove however and much of it comes from the Book of Invasions, a pseudohistory written by christian monks. So yeah, plenty of untapped source material to dive into.

Edited by MasterDex
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I love Irish names. I have no idea how to pronouce them correctly, so i always do it in a Serbian way, which is more often than not hilarious. Well, at least for me. As long as your novel has 3 most important things any fantasy novel should have*, (swords, booze, and boobs) i shall support it forever.

 

*as decided by me

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I like the concept and the set-up you have going at the start. Besides the easily rectified things (begun not began, 'marraige') I think it leaps into too many new names and places all at once. It's probably a problem with which most fantasy contends, and perhaps avid readers soak up all that easily anyway, but it seems a bit overwhelming, personally.

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Thanks for the feedback. I never spotted the begun/began bit while checking over it and I have no idea why marraige wasn't caught by the spellchecker.

 

In regards to the volume of names being thrown at the reader so early on, what would you suggest? I know Brain or 6264 mentioned that paragraph two and three were too much description all at once so do you think editing that section down or spreading out the information contained therein would help with what you're talking about? Originally, those two paragraphs weren't present and Ruark was only ever called 'the boy' but then I felt there was too little information. I guess I overcompensated.

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In regards to the volume of names being thrown at the reader so early on, what would you suggest? I know Brain or 6264 mentioned that paragraph two and three were too much description all at once so do you think editing that section down or spreading out the information contained therein would help with what you're talking about? Originally, those two paragraphs weren't present and Ruark was only ever called 'the boy' but then I felt there was too little information. I guess I overcompensated.

 

I gather from what Stenshi has said that perhaps regular readers of fantasy have no problem, but if Brain and 6264 share my sentiment it may want cutting down. I mean, I'm sure it is valuable information but I felt it takes you right out of the story. You've got a strong enough opening that it's possible to leave a little 'mystery' and fill in a bit more as you go. Again, it may depend on what style you're going for (since it is based on history) but I prefer the sense of intrigue with a slow burn of exposition.

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Props for putting in the effort to write a full story. Seeing a narrative to a conclusion is a daunting task, as I'm sure Saturnine can vouch for. A few notes on the excerpt:

  • I would tone down Derg's dialect. It's hard to read.
  • As HH pointed out, there are basic spelling and grammatical mistakes--while I realize it's a draft, make sure to fix these as if you send it to a publisher they will not even read it if they see those early on or very often. (Not sure if you're planning on shopping the manuscript or not)
  • Some of the dialogue & prose reads a little too typical "fantasy" I feel. Stuff like this: "Lord Berrin does not stand a hope in hell! His forces are as wild dogs with collars upon their necks. No slave army of Laigann could hope to challenge my knights and dream of standing victorious. His death at my gates is inescapable! Then his lands are mine for the taking! Gwahahaha" or "You will wallow in the depths of poverty and servitude and you shall never, so long as I draw breath, receive so much as a fief in my kingdom" It doesn't sound as someone would really talk, fantasy or no. Many of Ruark's lines are more grounded and believable.
  • With regards to what HH is saying about the flood of information, it may help to just unpack that kind of info over more paragraphs. Also, consider showing the reader these things rather than just backing up the Dump Truck of Background Info into his lap and and unloading. For instance, "Leesha was not a popular choice among the peasantfolk of Namethia." Then show us the peasantfolk of Namethia cursing her and calling her all sorts of horrible Irish slurs! It would be more enjoyable; plus, when you have a concrete scene like that, the information tends to burn itself into the readers' brains rather than forcing them to juggle a list of factoids.

On the positive side of things, your prose is good and certainly with some cleaning up could tell an interesting story over the course of the novel. The narrative, while early on obviously, has all the dramatic pieces in place to set up an intro that will hook readers. I'd also ask whether you'd considered trying to get some short stories published--those in the know often say that going straight for the jugular with a full-length book doesn't work for most authors (though not saying it won't for you.)

 

Note: Not trying to be overly critical or anything. Hope I didn't come off that way. Just want to lend a hand so your writing can be the best it can.

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I would tone down Derg's dialect. It's hard to read.

Yeah, I had a feeling I was going a bit overboard with Derg's dialect. "'ung" in place of young, in particular, acts as a bit of a wall on first sight.

 

As HH pointed out, there are basic spelling and grammatical mistakes--while I realize it's a draft, make sure to fix these as if you send it to a publisher they will not even read it if they see those early on or very often. (Not sure if you're planning on shopping the manuscript or not)

I want to see how the story turns out before I decide whether to shop it around or not but I hear ye on the spelling and grammatical errors. The spelling should have been ok since I ran it through a spellchecker but I'm afraid I'll never get the grammar right -anyone that's read the first drafts of my articles can attest to that weakspot.

 

Some of the dialogue & prose reads a little too typical "fantasy" I feel. Stuff like this: "Lord Berrin does not stand a hope in hell! His forces are as wild dogs with collars upon their necks. No slave army of Laigann could hope to challenge my knights and dream of standing victorious. His death at my gates is inescapable! Then his lands are mine for the taking! Gwahahaha" or "You will wallow in the depths of poverty and servitude and you shall never, so long as I draw breath, receive so much as a fief in my kingdom" It doesn't sound as someone would really talk, fantasy or no. Many of Ruark's lines are more grounded and believable.

 

I wanted to make King Sarán come across as very grandiose, almost cartoonishly so but I hear what you're saying. He might end up seeming completely out of place in the end.

 

With regards to what HH is saying about the flood of information, it may help to just unpack that kind of info over more paragraphs. Also, consider showing the reader these things rather than just backing up the Dump Truck of Background Info into his lap and and unloading. For instance, "Leesha was not a popular choice among the peasantfolk of Namethia." Then show us the peasantfolk of Namethia cursing her and calling her all sorts of horrible Irish slurs! It would be more enjoyable; plus, when you have a concrete scene like that, the information tends to burn itself into the readers' brains rather than forcing them to juggle a list of factoids.

On the positive side of things, your prose is good and certainly with some cleaning up could tell an interesting story over the course of the novel. The narrative, while early on obviously, has all the dramatic pieces in place to set up an intro that will hook readers. I'd also ask whether you'd considered trying to get some short stories published--those in the know often say that going straight for the jugular with a full-length book doesn't work for most authors (though not saying it won't for you.)

 

Balancing between descrption, action and dialogue is probably the greatest problem I have with writing stories. I always feel like I either have too much information like in this case, too much dialogue or not enough action. It's certainly something I'll be working on. I'm not sure how long the story will be yet. I have a vague roadplan in my head which at its simplest boils down to boy gets exiled, grows as a person through adventure then returns to his home. Beyond that, I have some of those adventures planned but it would be very easy at the moment to bring the story down to novella size. The biggest issue I face at the moment, I think, is that it's been so long since I've written anything but internet comments or articles so it's been hard to get back in the rhythm of it all.

 

Note: Not trying to be overly critical or anything. Hope I didn't come off that way.

 

Not at all! The more critique, the better. If I wanted people to just tell me how great I am, I wouldn't have thrown it up...well....I probably would have, but I want the negative and the positive.

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  • 4 months later...

It's been a while since I updated this thread and I think it's about time I do so.

 

I've continued writing the first draft but I'm starting to consider changing from a second-hand perspective to a first-hand one, or at least a combination of both. Considering how focused the story is on one character and how frustrating it's been for me to get the strength of characterisation I want for that character, I think it might be the best course of action.

 

I've whipped up an early draft of the marriage from Ruark's point of view and I think I prefer it to the second-hand perspective of the event. It doesn't reach to the point my first excerpt did but I wanted to get some more opinions before I went any further with the idea.

 

Without further ado, here it is. There's probably a heap of grammatical errors as I haven't went over it too heavy with the editing brush.

 

 

The Marriage at Cannis Court

-A Recounting by Ruark Connail, The True Lord of Cannis-

 

It was hot. No, it was sweltering. The air was stale and my body, naked though it may have been, was sticky with sweat. Today was a day for revelry but it was certainly no day for me. For my father, it was a different story. My father, Fiachra Connail; King of Cannis, Lord Protector of the Amber Lands; idiot. King is too regal a title for such a man as he, even Lord seems too high a title to grant to a man with such meagre holdings; Lord Protector even more so. My father protected little beyond his own interests. Over the past ten years, the kingdom that my grandfather had built was whittled away until only its core remained intact, and even then, for how long? On all sides, our enemies encroached. Once they were allies, most of them at least. Then my father decided to play war and piss all over every treaty our kingdom had agreed to.

 

Today was a day for him to forget all that. My father was to marry once more. His queen to be was the sultry, white-haired Princess Leesha from across the North Sea. Guileful and sly she was, and surely a cancer upon our little kingdom. No sooner had the marriage been agreed to, than rumours had come of her shrewdness. The peasants talked of bankrupt lords and midnight affairs, of treacherous tales involving pennyboys and prostitutes. It's no wonder then that such claims never reached the ears of the court. No self-respecting nobleman would dare to let it be known that they were in dire straits and few slaves and slags had the ear of one of higher birth. I would never have heard such accounts myself were it not for my fondness of loose women and lousy beer.

 

My own experience of the woman thereafter left little doubt to the veracity of the reports.The first night she arrived, she set her eyes on Stallion, the dark-skinned stablemaster of our keep. On the second night, she lay with him - a vision I had only chanced upon when coming back from The Burly Maiden, a tavern in the lower town. She glimpsed me too, and showed little concern for the carnal act I had caught her in. Of course she did. She already knew where I stood with my father, everyone else did. Why did it infuriate me even so? The sheer audacity of the women annoyed me to no end. Princess Leesha, such a deceptive name for such a deceitful bitch. I rue the day she put foot on this land.

 

Yet I had to act jovial. Such a glorious occasion was to be rejoiced by my father's family. It was only right, only natural. Right be damned! "A true heir!" thought my father, "A right sucker!" thought she. Feck the both of them, I thought. I'd have sooner pissed on my mother's grave than have given credence to this sham. Damn that heat! It boiled my blood as much as the thoughts of the day's events.

 

I arrived to the throneroom later than most of the guests. The hollering outside grew louder. The hour was nearly upon us. My father sat expectant upon his oaken throne. Beside him had been placed a second, smaller version of his. The bitch had her claws in deep. Not even my grandmother, gods bless her soul, was granted such an honour. Yet the love my grandfather held for her was immeasurable. The pact was sealed then. I wanted to scream. This was a contract of death for Cannis, signed with cum and cowardice. You see, as beautiful and fair as Leesha may have been, this espousal was little more than political manoeuvring. It was a way to get in with the the Nordmen, the traders that took the lands of the High Lord on arrival. It's a shame my father couldn't see, or chose to ignore, their own machinations. He believed the Nordmen brought strength. He imagined that the enemies on his borders would put tail between legs and run home upon hearing news of the alliance. Little did he know they were making alliances of their own.

 

Leesha arrived, as radiant as the sun in her golden dress and braided hair; as dark as the night beneath it all. Our guests arose, applauding the princess with the sort of false exuberance only a noble can muster. My father rose also. I remained seated. Behind him, my sisters stood by my side, glowering over me as if all hope for future happiness rested on whether I, the hated heir, sat or stood. I had made no secret of my feelings before today, why should I do so now?

 

"Princess Leesha!" exclaimed the royal crier "And her father, Lord Vargund, honoured trader of the black port!"

 

Honoured, my arse! That monster had driven wives and children from their homes while they watched their husbands and fathers burn inside. That monster had set his rabid dogs loose on every woman they came across. Hell, that monster let them loose on the children - that was what really pissed me off. Rape was a commonality of war in these parts, as depraved as that truth may be. Yet there were rules; unspoken ones, yes, but there were rules. Our soldiers certainly didn't diddle the cradles.

 

Leesha walked down the path created by the nobles as they gave way for her approach. Arm in arm with her, Lord Vargund took heavy, slow strides. The man was a giant and the thick black furs that wrapped him made him look more beast than anything else. My father looked a child under his shadow. He fumbled with his crown and swept greying ginger hair from his face. Patting the dust from his silver sequined tabard, he coughed and looked dead ahead, unblinking. I wonder what he thought at that moment. Was there some part of him that fought for better judgement or did the slow stride of Lord Vargund merely impress upon him his own inadequacies?

 

 

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