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Piracy


Cyber Rat
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I agree with you (P4) and Dean in that yes, pretty much the developers are leaving themselves an entire region whose only option is to not play the game, move country or pirate.

Or, as Japan seems fond of doing, making it so that they intentionally restrict themselves to a single region. :rolleyes:

Perfect example. Illusion games.

 

What? Don't judge me. (I spent a long time living there, OK.)

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And seriously, the Witcher 2 thing? Take that stick out of your ass. No, I do not like to support companies that do what CDPR is doing. I don't see why that is relevant to anything but that very discussion. Why are you bringing it up again?

Not trying to fan the flames, but if you're pirating games, you're not supporting the companies that are doing what you approve of either. I understand boycotting a company, and I understand people, who for whatever variety of reasons, choose to pirate the majority of their software, but I don't think you can have your cake and eat it too if you pirate games the vast majority of your games before you disapprove of what a specific company is doing.
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If you think I pirate the vast majority of my games, peteer, you're making a lot of false assumptions. I buy most of my games via steam sales. I pirate those I can't afford.

I apologize for misreading this thread then. If you're buying the vast majority of your games, I understand how you could consider pirating Witcher 2 as a form of boycotting it. The impression I got from the thread was that you pirated a lot of games, and that you felt that pirating was better for the developer than not playing at all. Sorry if I'm mistaken and misread things.

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  • 2 weeks later...

http://www.destructoid.com/jimquisition-piracy-episode-1-copyright-220166.phtml

 

Hmmm... the big problem with his whole rant is that nobody forces anyone to sell their IP to anyone else. If you don't want an evil corporation owning your game IP, music, book or movie then don't sell it to them. It's a simple as that.

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Because those are the kind of underhanded tactics that leads to a meaningful discussion, amirite?

 

^This^

 

But I will say that I'm shocked that Jim Sterling is actually talking sense....but it's like "Dude, we've been shouting this shit at you for years, regurgitate more?"

Edited by MasterDex
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His ranting about IP owners should have rights is the same thing as saying that if Nike paid an agency to design them a logo then that agency should have rights to that logo forever. It's rediculous.

 

No, that's a different kettle of fish. That would be a commissioned work and Nike would be the owner of the new logo from the get-go. The agency wouldn't be creating a logo and then selling it, they would be creating a logo that they're being paid to create. What Jim is talking about is how a band, developer, etc could create something and then, to get the work released or the funds needed to finish the work, have to turn to a record label or publisher who would say "We'll publish this but you have to hand over all the rights" and then go on to undermarket, rush etc the work and then hang onto the copyrights indefinitely. There's a whole world of fucked up in copyright law - and it gets worse every time Disneys years are up. :P

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I'm fairly certain that his example of Metal Arms would be a direct comparison to commissioned work.

 

Metal Arms wasn't commissioned. It was created and developed by Swingin' Ape Studios and then published by Vivendi. Vivendi didn't approach the studio to make the game. The developers approached Vivendi to publish the game.

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